By this I mean that we will no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as getting Bateau En Papier a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities Dessin D'un Avion En Papier of a model achieved exclusively by folding.
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, but the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modeling particularly when foil has already been used and one can make sure of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper seems to be Japanese in origin was Origami Paper Box demonstrated by Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and we are approaching statue rather than Origami.
Fleur en papier
The slicing out of holes etc. to indicate eyes and so on is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Bateau En Papier Facile A Faire Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.
Bateau en papier
The associated arts are Weaving and
Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to represent some part of the animal and then brought with Avion En Papier Pliage Planeur each other. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a dragon from a quantity of squares of different sizes.
Comment faire un avion en papier
In the most extreme combinations of water and papers we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe easiest step from a single colour is one side female and one white or plain. A great offer of modern Origami exploits this colour difference. A new delightful example is Joan Homewood's Robin. We can Bateau De Papier Musique use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for an exclusive model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then ribbon and finally string.